There used to be accepted genres like still life, figure, landscape etc and painters would specialize more in the one than the other, but generally would be versed in the various modes of expression. This is no longer common practise, specialization has won over even in painting. Although my work has a common departure in the simple question of how surfaces meet and organize themselves, it does take its inspiration from different sources. The „compositions“ are generally works that remain with the question of the picture space, the meeting of dark and light, the formative nature of the individual colours. Other groups of work are clearly orientated at an early stage towards the question of what happens in this open pictoral space and how is it peopled, this leads to the works „from figure“. During the summer I have always at some point had recourse to the landscape, also stimulated through the repeated workshops I have given on the theme of painting in the landscape.This group of work takes it’s inspiration from the spirit of a place, its mood, the colours and the way the elements of water, wind, rocks and plants meet with the light. For the past few years the south east of Sardinia has played an important part in the development of this work. Thus three main concerns although not necessarily clearly recognizable as such, reflect in my work the tradition of the three genres; still life, figure and landscape. The diversity of the work is at once an obvious asset and a dangerous dissimilation of forces. Like a campaign that is fought on different fronts the assaillant is wary not to disperse his forces too much, nor to place them all together under the same common danger .
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